Loomis Study #3

Copy of Andrew Loomis Portrait Study

The third Loomis study. Again, just looking at colors. Her eye kind of got messed up in the process. Just a bit....flat.

Loomis Study #2

Copy of Andrew Loomis Portrait Study

Here's another Loomis study. The original painting that he did has a completely different color palette. I wanted to play around with greens and reds so I decided to use his as a guide to lighting and temperature changes.

Cherry in That Cookie

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Oil on Illustration Board

I'll be back with some more Loomis studies but for now here's a cookie for you to look at.

Andrew Loomis Portrait Studies

Copy of Andrew Loomis Portrait Study

4" x 2"

I have some more small paintings to post but I first would like to spend some time on portrait studies. It is important to constantly study how different painters handle color, value and shape handling. James Gurney mentions in his amazingly informative blog the necessity to copy other artists to truly understand the way that artist's method. The study above is from Andrew Loomis's "Creative Illustration". He has a page of four portraits with different tones, colors, hues and the skin's effect with each palette.

I made a black and white photo copy of Loomis's four small portraits on one letter size sheet. I matt mediumed it. Then tried to copy the colors and tones he was using. This is the second one I did. I found the reflective light to be the most exciting part of the painting. Afterwards I found another image of the portraits online (the link above) and see a different color combo that has much more depth. That's what I get for using a bad color photo copy for my reference!

Blueberry Tart

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Oil on Illustration Board

This was a dessert I bought from a South Philly bakery that was topped with blueberries, stuffed with pastry cream and dusted with powered sugar. The main goal was to quickly represent the temperature of the blueberries and build up the structure enough to show preliminary steps for alla prima painting.

Abandoning my normal use of a little Liquin or Galkyd I used a homemade mixture of Liquin, Turp and Linseed Oil. The washiness of it is not normally how I prefer to lay down initial paint but I thought the use of a thinner medium was a valuable lesson to impress upon the class, especially for those students who prefer a transparent representation.

The Fancy Strawberry Man

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Oil on Masonite

I used this as a demo on alla prima painting desserts. It happened to be after Valentines day so the local bakery had all sorts of fancy looking strawberries. I usually go for the cannolis myself but I couldn't resist the "cuteness" of it.

Origami

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Oil Paint on Cold Press Illustration Board

This was a study on angles and light. I found this origami in the prop closet and decided to give it a chance. It was pretty fun to do. I'm trying to score some more so I can play around with some more angles and patterns.

This painting is also listed in Etsy's Art>Painting gallery for today only. Check out my shop for more updates.

March Madness! It's Small Painting Month!

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Oil on Masonite

So Philadelphia got over three feet of snow this winter....whatever. It just makes me appreciate the first flower of spring so much more.

Spring is also the time when I get to introduce students to oil paint. I have been working digitally for so long that going back to the basics gets me giddy. I have so much fun on the demos I do. As you saw in February I had introduced eggs as a beginning. Well now we get into other items like, paper, fabric, portraits and food. Enjoy.

Not Just a Donut....

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Oil Paint on Masonite

It's not just a donut....it's a Dunkin' Donut. Toasted Coconut to be exact. This was a small alla prima demo I did. Illustrators usually have a mess of preliminary work to do from thumbnails to sketches to revisions to color comps to finals to reproduction and sometimes to design layout.

It isn't very often that we get a chance to work alla prima. It's fun to play with paint for an hour or two while studying light and form on objects. It's especially fun when you can eat it later. My favorite part of working this way is the free nature of the product. If the painting doesn't work out....who cares? It didn't take that long. Move on....