Origami

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Oil Paint on Cold Press Illustration Board

This was a study on angles and light. I found this origami in the prop closet and decided to give it a chance. It was pretty fun to do. I'm trying to score some more so I can play around with some more angles and patterns.

This painting is also listed in Etsy's Art>Painting gallery for today only. Check out my shop for more updates.

Egg Month! Complimentary colors within white

Oil on Illustration Board

In honor of my snow day (Philadelphia's snowiest winter in history....75 inches and more to come) today I am going to spend some time talking about white. It's clean and simple...well it's simple until you try to paint it. It does make sense after doing it a few times, like everything, it just takes practice.

It's rather easy if you don't think too much about it. White takes on the color of it's surroundings. A white egg on a purple background will have a lot of purple and a warm compliment of purple. A sunset landscape will take on the color of the sun and it's compliment. I have a few links that shows some artist's use of white. Take a gander and really look to see how they work with it. Michael Whelan Greg Manchess Andrew Wyeth

Egg Month! You Failed!

Both are acrylic on gessoed water color paper

Some days are better than others. Some paintings are stronger than others. Some days I wish I would have went to veterinary school. Some call it writers block others call it a creative stint. I call it bored and antsy. At this point I painted my fair share of eggs and wanted to try a fun color. The green was working but I got bored and wanted to peek around at the students work which was coming out better than mine.

Lesson to be learned. Don't fall in love with your paintings and never expect a masterpiece from a study. Underpainting was cool. Overpainting....not so much. Failed.

Egg Month! Underpainting and Overpainting

Acrylic Underpainting (Bottom)

Oil Overpainting (Top) on Illustration Board

Question: Why do an underpainting if I'm going to cover it with color anyway?

Underpainting is beneficial to do for several reasons:

1. All value and drawing problems can be figured out in this monochromatic stage.

2. When overpainting you concentrate on the color and temperature not the value. To match the overpainting color squint at your underpainting and chosen color and you will see the value relationship. This I learned from the esteemed Professor McGovern at Uarts.

3. Underpainting can be done in acrylic to assist in fast deadlines.

4. Underpainting can show through to assist in color and temperature.

Under-paintings can be any color. If your key color is going to be red try a green underpainting. That green can show through in the shadows to create a complimentary temperature change. If your unsure burnt umber is always a good bet. It can take on a cool or warm tone depending on the overpainting color.

I am Such a Liar

Corel Painter Class Demo

So I said it would be 7 straight days of posts. But I've missed the last two days. There is an explanation....I promise!! Long story short....deadline & New York Society of Illustrators trip. But by the 7th day I will have 7 posts. Even if I have to double up posts on one day....which I plan to do now.

First I'm starting with a small Painter study I did for my Saturday class in December. It's a bit out of season and I met to get this posted before the holiday but didn't get a chance to. It was a quick demo on reflected surfaces. It's not as shiny as many glass ornaments due to the burnished finish. I also have some big beautiful Christmas lights that I want to paint to practice illumination and colored light. Baby steps.

Painting Demo #3

An ear. So exciting, I know. This was a demo I did for a Corel Painter class at PCAD. I had my students create an ear while I was demoing. I started with a white canvas, brown hard pastel. I created a monochromatic underpainting with the pastel. Then I used a real bristle brush to create the overpainting of color. I then moved onto more pastel to give some texture and blend. I finalized it with a little airbrush for a smooth transition in problem areas.

I recommend James Gurney's blog to everyone. This particular entry is worth checking out if your learning ear anatomy. But don't just stop there....check out the whole blog. It's fantastic.

Painting Demo #2

No alphabet sketches last week. Or this week. I'm teaching two weekend workshops and will be unable to complete extra sketches. But no need to worry. Here is a class demo I did for my Saturday morning Painter class. Inspired by Andrew Jones, it was a lesson on creating, saving and using selections and layer modes to create textural backgrounds and abstract images. I didn't really have a plan for this. It just evolved. I grabbed some images that were nature based and took it from there.