Egg Month! You Failed!

Both are acrylic on gessoed water color paper

Some days are better than others. Some paintings are stronger than others. Some days I wish I would have went to veterinary school. Some call it writers block others call it a creative stint. I call it bored and antsy. At this point I painted my fair share of eggs and wanted to try a fun color. The green was working but I got bored and wanted to peek around at the students work which was coming out better than mine.

Lesson to be learned. Don't fall in love with your paintings and never expect a masterpiece from a study. Underpainting was cool. Overpainting....not so much. Failed.

Egg Month! Underpainting and Overpainting

Acrylic Underpainting (Bottom)

Oil Overpainting (Top) on Illustration Board

Question: Why do an underpainting if I'm going to cover it with color anyway?

Underpainting is beneficial to do for several reasons:

1. All value and drawing problems can be figured out in this monochromatic stage.

2. When overpainting you concentrate on the color and temperature not the value. To match the overpainting color squint at your underpainting and chosen color and you will see the value relationship. This I learned from the esteemed Professor McGovern at Uarts.

3. Underpainting can be done in acrylic to assist in fast deadlines.

4. Underpainting can show through to assist in color and temperature.

Under-paintings can be any color. If your key color is going to be red try a green underpainting. That green can show through in the shadows to create a complimentary temperature change. If your unsure burnt umber is always a good bet. It can take on a cool or warm tone depending on the overpainting color.

February is Egg month!!

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Acrylic and Oil on Illustration board

They're incredible. They're edible. They're really great to teach smooth tone transitions and painting techniques with.

Every spring I teach a pictorial fundamental course which introduces oil paints to sophomore illustration majors. The main focuses are composition, lighting, mood, color, value and handling a paint brush. The egg offers a perfect matt finish that absorbs and bounces light while reflecting and collecting environmental colors.

This guy was sitting on a blue paper. I under-painted it in acrylic burnt umber and overpainted it in oils using scumbling and glazing.

In these small exercises I teach different gessoing techniques as well as acrylic and oil under and over painting. So this week will be dedicated to some of the egg studies and little tidbits on working with eggs.

Someday I'll do a Faberge egg. I just know it!!